White Noise 41
17–07–2022

 
This edition was the 4th student led edition, and took place in the lecture theatre of the Royal College or Art campus in South Kensington. This was the last edition that was organised directly withing the college. 

After 5 years, with 41 editons, a decision was made to take things futher and to allow White Noise to grow the next step was to be indepent.

White Noise 40
27–05–2022

With the arrivial of the 40th edition it was decided to try and crowd fund a next album release. This was done by raisin

g funds through selling apparel on everpress.com. Designs were made by Yulu Chen, studying Viscom at the Royal College of Art during that time.

We collected 180 gbp which was shared between White Noise and Yulu, 90 gbp went towards the mastering for the 2nd White Noise album.

The event took place at Open Ealing, which is an arts organisation that several activities in Ealing. For this edition White Noise collaborated with the During this editon a group of students that we participating in an analog film workshop run by Kristina Krenfeld showed screened their film experiments. 

There was the return of Susan Atwil and the lemon, in an incredible collaborative performance with Clair aka Rhubarcode and Xanthe Elizabeth Horner both studying in viscom at the RCA. 

Laura Selby and Yueshen Wu (Bryan) presented a participatory project in which the audience could play a nintendo racing generating a soundscape at the same time. 




White Noise 39
Barney Kass, Susan Atwill
29–04–2022

First time that White Noise took place at the Royal College of Art’s Battersea Campus inside the Lydia & Manfred Gorvy Lecture Theatre. The lecture theatre is particularly good for showing projected works in combination with sound ofocurse. The soud system in there is meant to be used for lectures yet worked quite well for live performance also thanks to the accoustics in the space which are good.

We had a few people performing with an important return of Barney Kass who was particpating at White Noise right from the day it was founded. He did a live audiovisual performance with AI-generated visuals. The AI was fed questions and statements based on neurodivergent people’s sensory experiences of the world. The music ranged from ambient to percussive electronic music. 

Susan Atwill took everyone close up to the stage with a very intimate performance. She took the audience along a story in which the borders between reality and speculation were undefined.




©MMXXI
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