White Noise 47
October 2024 marked the first White Noise edition outside of London, this time in Plymouth at the Immersive Vision Centre. Dylan Yamada-Rice was the initiator of organising this and bringing together White Noise with Andrew Prior (Hotwire) as an introduction to exploring the future of screens. Hotwire has run events like: workshops in coding, taking a piano apart and recording the results, making instruments from rubber bands, solar panels, lasers, piezos, group crits, talks and performances. A great local initiative that linked up nicely with what White Noise stands for.
This edition took place in the University of Plymouth's Immersive Vision Theatre, a permanent full dome situated in the middle of campus, where we had an evening of audiovisual improvisation inspired by Stan Van Der Beek’s Movie-Drome. This event was in collaboration with Dylan Yamada_Rice, Andy Prior (Hot Wire) , Mike Phillips, Musaab Garghouti
Dylan made the poster inspired by a collective idea that arose from a staff away day that the future of screens might not be ‘bigger, brighter, faster’ but could include hacking, making, community, sustainability and analogue materials.
The event was hosted by Ronnie Deelen (White Noise) and Andy Prior (Hotwire~) as the first edition of the Future Screeninitiative—an evening of audiovisual improvisation inspired by Stan Van Der Beek’s Movie-Drome.
It was a Bring Your Own Beamer (BYOB)-style event, but with a strong emphasis on sound as well as image, set in the University of Plymouth’s Immersive Vision Theatre. Participants brought raw materials—moving or still images, sounds, sound-making tools, laptops, and Bluetooth speakers—to contribute to the experience.
This edition took place in the University of Plymouth's Immersive Vision Theatre, a permanent full dome situated in the middle of campus, where we had an evening of audiovisual improvisation inspired by Stan Van Der Beek’s Movie-Drome. This event was in collaboration with Dylan Yamada_Rice, Andy Prior (Hot Wire) , Mike Phillips, Musaab Garghouti
Dylan made the poster inspired by a collective idea that arose from a staff away day that the future of screens might not be ‘bigger, brighter, faster’ but could include hacking, making, community, sustainability and analogue materials.
The event was hosted by Ronnie Deelen (White Noise) and Andy Prior (Hotwire~) as the first edition of the Future Screeninitiative—an evening of audiovisual improvisation inspired by Stan Van Der Beek’s Movie-Drome.
It was a Bring Your Own Beamer (BYOB)-style event, but with a strong emphasis on sound as well as image, set in the University of Plymouth’s Immersive Vision Theatre. Participants brought raw materials—moving or still images, sounds, sound-making tools, laptops, and Bluetooth speakers—to contribute to the experience.
